![]() In the end, most fans called it Skull & Roses after the iconic cover art, and it earned the Dead their first gold certification for sales above half a million records.Written by: Jerry Garcia and Robert HunterĪ campfire standard with a few tricky chord changes and an ineffable melody lifted from a Greek folk song. exec Joe Smith: “I said, ‘You worked so hard, and if you call it that, we’ll only sell it in headshops, and we won’t get paid for it,'” he told RS’ David Browne in 2015’s So Many Roads. The band’s proposal to call the album Skull Fuck has become a legend among fans, propelled by the colorful recounting of Warner Bros. Goode”), it adds context to the breakthroughs made the previous year on Workingman’s Dead and American Beauty - and with a handful of energetic originals in that tradition (particularly Garcia/Hunter’s “Bertha” and Weir/Hunter’s “Playing in the Band”), it shows how inspired the Dead’s songwriters were in this era. With a generous helping of covers that highlight the band’s country and early-rock roots (“Mama Tried,” “Me & Bobby McGee,” “Johnny B. ![]() Often overshadowed by the empyrean heights of Europe ’72, this live double-LP is still one of the most concisely enjoyable documents of the Dead in the early Seventies.
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